L’unique album d’un artiste qui a brièvement traversé la scène artistique et musicale au début des années 2010. Ce petit album modeste et précieux, rêveur et précis, ressemble bien au souvenir que nous avons gardé des quelques apparitions de Georges-Henri sur des scènes aujourd'hui disparues.

This book follows on from the exhibition Les Prophètes that The Old Boys’ Club presented in 2017 at La Chapelle Saint-Jacques, as well as the preview they staged that same year at the Nordhorn Centre for Contemporary Art.
However, whilst this book visually documents these two exhibitions, it is not strictly speaking a catalogue. Rather, it aims to recount the genesis of the sixteen prophets and, more broadly, the way in which The Old Boys’ Club works.

Mêlées is the first monograph on the work of Olivier Vadrot (b. 1970). Through multiple interviews and comprehensive illustrations, the book provides an account of an artistic trajectory at the intersection of several fields: architecture, design, exhibition design and curation, theater, and musical performance.

This book was published following the exhibition Olt by Olivier Mosset and Jean-Baptiste Sauvage, which took place at l’Espace de l’Art Concret in 2017, and echoed the campaign that launched the Elf brand (1967), whose slogan was: “Les ronds rouges arrivent” (The red circles are coming).

A collection of texts (in French) about Bruno Botella’s research and the hallucinogenic modelling clay he invented in 2012.

Kiosk deals with the eponymous project by Karina Bisch: a sculpture located in the 8th arrondissement of Lyon, in the heart of the Tony Garnier district, which was inaugurated on June 29, 2013. It is a large collage, made up of fragmented takes of emblematic twentieth-century architecture.
Throughout the construction of Kiosk, Karina Bisch populated the palisades surrounding the site with a set of posters designed by the graphic designers of Experimental Jetset, based on original texts by Thomas Clerc.
This publication brings together these eight posters and documents Karina Bisch’s project.